There are still plenty of MIDI setups that work in the traditional way, with the computer just recording and playing MIDI messages, and the sound created by an external synthesizer. These are especially useful in live setups, where the reliability and faster response of hardware synthesizers are distinct advantages.
MIDI cables are unidirectional — they transport messages in only one direction. So you need two MIDI cables. USB is bidirectional. The sound made by the synthesizer goes to a mixer, which then feeds an amplifier and speakers not shown below.
As mentioned above, a lot of the action formerly taking place in external boxes is now happening in the computer, obviating the need for complex hardware setups. For many situations, all you need is an inexpensive MIDI controller keyboard without internal sounds , with a USB connection to the computer. Synthesizers and samplers have large numbers of sounds which we call patches or programs.
The patches appear in banks of or fewer, and your computer software selects the patches by number, even if you choose the patches from a list of names and never notice the patch numbers. Types of sounds — pianos, guitars, violins — are assigned to numbers in a way that is not compatible between different synthesizers. That means that a sequence recorded using one type of synthesizer will not sound remotely the same when played using a different type of synthesizer. Another thing to keep in mind is having a pitch bend wheel and a mod wheel.
The knobs I do recommend because this allows you to change controls on VSTs, manipulating sounds hands-on, which is always fun.
Now, I have the Axiom 49 2nd Generation which is great! Just keep this in mind when purchasing any audio products in general. Also, the Axiom 49 2nd Generation comes with a drum pad as well.
Honestly, your keys are the same thing as the drum pad. It allows for more than 16 notes like drum pads have , and saves money. I purchased both in my beginnings.. A pro to the all-in-one is maybe you might save money, a pro to the separate is sometimes a separate drum maschine gives you a bit more flexibility in terms of where you want to put it, of features. No products in the cart. VSTs — Back in the Day,. It is important to note that musical sounds are generally not produced or created by the MIDI controllers themselves.
Instead, they have a certain type of interface that the performer presses, touches, strikes, or blows. The data flows out from the outport of a device to an in-port of another device. However, not the other way around. Remember that messages are sent in the form of binary digits , and each instrument can understand and respond to these messages. Now you connect your computer and your synthesizer so that they can start communicating using the MIDI protocol and start recording.
Whenever you play any notes on the synthesizer, all your physical actions that do on the instrument are transmitted to the computer sequencing software as MIDI messages which ultimately record the messages. MIDI messages are brief numeric descriptions of action.
So the keys you press, the knobs you turn, and all other such actions are encoded as MIDI messages. Files that have. Fortunately I probably won't have to think much about that reverb unit once I get it set up right. Except from now on it is one more piece of equipment I have to turn on each day before I can get to work.
I can play it like a sax almost and the notes go right in to my MIDI sequencer software. The problem is that it doesn't play just like my real sax and it takes some concentration to get used to the differences in fingering and the different feel of the artificial reed.
So while I may be playing the notes in from a more familiar instrument I am so distracted by this new piece of equipment that I am finding it hard to concentrate on my composition. I keep having to pick it up and put it down and if I want to just listen to how a new instrument sounds it is easier to reach over and hit a key on my controller keyboard.
I also have to set up both devices to play into the computer at the same time or switch back and forth. This has cost me the initial set up time and the time it takes me each session to turn on one more gadget. Maybe you are starting to see how more junk can really restrict or even completely dam up your creative flow. If you are new to composing then just think about how hard it is to create even if all you have to deal with is a pad and pen or a simple tape recorder?
As I am prone to do I have spent quite a bit of this article on telling you why you should read the rest of it but if you have read up to this point the rest is just details.
0コメント